You're not from round 'ere, are you?

Some months ago, I was killing time when an old woman stopped me in the street with "Oooo, you're not Japanese are you?" Comparing her with the robust physique of my septuagenarian landlord, she must have been at least eighty, with poor eyes, as she was within a foot of me when she made this disovery. I explained that I was English, and her expression was one of colossal surprise, spilling over into delight.
"Hajimete!" she exclaimed, meaning "first time," and in this context, "this is the first time I've met an Englishman." We bade each other well, and kept walking to wherever we were going. I forgot about it until today.

During the break at school today, I was chatting with the Principal, when seven or eight second year students came to have a chat. Readers who know me will be aware that I have a somewhat flexible face. To children of a culture that doesn't usually communicate with facial expressions and body language, this can be hilarious.
"Foreigners are funny." remarked a girl, mid-giggle. The Principal pointed out that, as far as I was concerned, everybody in the room was a foreigner.
"Really?!" asked the girl, genuinely surprised. Then again, she is only seven.

The Last Sanja Matsuri?

"Oh, you like Asakusa? There are many foreign country people there."

I've received this response from Japanese people with practically every mention of my fondness for this area of Tokyo, as if what drew me was kinship with my fellow non-Japanese, whatever country they come from.

Of course, these demographic commentators are quite right - Asakusa is crawling with tourists, hardly surprising since it's dominated by the magnificent Sensō-ji, Tokyo's oldest Buddhist Temple.


Asakusa is almost like a theme park of traditional Japan, as if Kyoto had been heavily edited and compressed into a Tokyo neighbourhood. Kaminarimon, the Thunder Gate, opens into a long market street, where shopkeepers, well versed in "trade English" provide innumerable trinkets to legion of foreign visitors. I am the slightly embarrassed owner of what I perceived (before purchase) to be a stylish sake flask. Of course, once I actually took the time to read the kanji on the side, I learned that it said 'Asakusa, Tokyo." I might as well have bought a T-shirt reading "I went to Japan and all I got was...<insert joke here>".


The more I think about that slightly ill considered purchase, the less bad I feel. It's like a moment of clarity, because it is so typical of Asakusa. When I arrived over two years ago, alone and illiterate in a strange country, the way Asakusa looked and felt was adequate balm for lingering doubts and fears I had. Now, a bit more savvy and considerably more cynical, I can see the place through two different eyes. Despite its' colossal tourist trap status, Asakusa is still a beautiful neighbourhood, and whilst there isn't an awful lot to do after seeing Sensō-ji (except for holing up in one of the countless restaurants) what I find appealing about it is, when compared to the rest of Tokyo, the relatively gentle pace. This usually doesn't apply when describing Tokyo's most boisterous O-mikoshi festival, Sanja Matsuri.


Over three days, hundreds of portable shrines are carted around the area by packs of able bodied young people, gradually getting drunker. Moving one of these things takes a great deal of effort, even if you are being supported by about twenty other people. The endorphins are palpable, the rhythmic chanting joyous and exciting, the atmosphere utterly electric. For some reason, this year was much quieter than other occasions, but no less charged with a massive sense of community, something I greatly admire about Japan. This communal sensibility isn't extended to all by all of course. Brian overheard an elderly man grumbling that the name should be changed to Gaijin Matsuri.

Perhaps feeling this kind of inclusion in a sprawling metropolitan labyrinth like Tokyo is only for people who live there. At the same time as the overwhelmingly huge Sanja Matsuri, was a smaller but no less rambunctious festival in and around our local shrine, the small and simple Hiedaijinja.





The mood here is warmer, more intimate and familiar, helped no doubt by the presence of my students from several different schools. Stall holders exercise what English they possess, undoubtedly directed at us because we are almost certainly the only non-Japanese present. Local bigwigs have directed us to the centre of activity, asking us to enjoy ourselves, and even greeted us with genuine bonhomie.



As far as our long term plans go, this will be our last Oda Matsuri (although the festival season is just starting). Maybe what we'll miss most about Japan isn't the magnificent otherly architecture, interesting culture or sense of adventure, but the fact that this quiet little nook of a huge alien industrial city has been shaped into a home.

Rapture

To my profound joy, a couple of my second year boys have hit upon the hilarious revelation that my name, with regards to the Japanese rendering of Western words, is but two syllables away from "clitoris." That they excercise their discovery with such regularity makes me hope they might actually start learning some new words...but I'm not holding my breath.

Brass Band Club

Yesterday, I played my trumpet for the first time in a long time, but perhaps more significantly, the first time since I've given up smoking. Clearly my lungs have had plenty of time to recover, and I wasn't as breathless as I thought I would be. Perhaps it's time to get back into music. Finding the right outlet could be tricky though. The only one I've discovered thus far is the school Brass Band club.

Of course, five minutes into the club activity, I remembered why I never go. A word now irrevocably linked to my idea of Japanese education is drilling. Yes, all my teachers over the years have told me that it's really useful to spend ages doing long notes, and by thunder, it'll build your stamina, but where's the fun?

A typical brass band club session will commence with the designated leader announcing what particular warm-up exercise will be played. Everyone responds with "Hai!" which although means "yes" is probably closer to "affirmative". This exercise will be done for a minute or two. At this point, I'm usually raring to play some actual music, but there's more to be had. Much more. In the past, I've joined brass band club sessions where the kids have played long notes and scales for an entire hour...five minutes break...another hour of long notes and scales, thankyou very much, time to go home.

This particular brass band did something I've never seen before - at a command from the leader, every child produced a plastic bag, and started breathing into it whilst the percussion section dutifully beat out an increasing number of beats on a row of desks behind us.

The weirdest thing I've experienced thus far in brass band club is the tuning up process. There's nothing wrong with using an electronic tuner, but they seem to be speaking a foreign language (in terms of the music vocabulary I was raised with) when they hold a beeping box in front of my instrument and declare "plus four" as opposed to "sharp" or "flat."

Although music is something I want to get back into, I'm faced with the choice between intense study of Japanese (at a desk and everything) and playing long notes for two hours...what to do...

入学生

Their uniforms are pristine and slightly ill-fitting. Their dazzling white trainers squeak on the shiny floor of the gymnasium. They are absolutely tiny and some are clearly wary of me. It's funny that when I saw some of these students in Elementary School, they seemed too big and in need of getting into Junior High very quickly indeed. Now this has been accomplished, they still look out of place, but in a different way. I look forward to embarassing them in class.

Another Graduation...

The year seems to have passed in the blink of an eye, but at the same time dragged like a leaden coat and tails. The proceedings were just as emotional as last year, but we were graced with no less than three teachers wearing Hakama. Pictured is Endo Sensei, a teacher of Japanese who sits next to me, and one of the special needs teachers, whose name I haven't caught yet.


As is the way with these things, everybody filed into the ostentatiously decorated gym, applauded whilst one hundred and fifty students marched slowly to their seats (by the end of two out of four classes, I was desperate to stop clapping), possibly daydreamed whilst those same students were presented with certificates, and almost certainly fell asleep during the Koucho sensei's (Principal's) speech. Notable this year was the fact that the farewell procession of sobbing third graders went out through the sports ground. By the time that had been organised, most of them had cheered up.



I signed a lot of year books, posed for an inordinate number of pictures, had a very tasty bento, complete with sekihan (rice steamed with sweet red beans) and then...nothing...

Long term readers of this blog will be aware of my most common complaint with work. For those of you who have come here by accident (and have made it this far), regardless of my workload or the actual presence of students, I'm required to stay on school grounds until 4:30. Usually I use this as an opportunity to really hammer my Japanese studies, but today (and days like it in the past) a cloudy block descended, rendering me incapable of concentration due to the sheer absurdity of it all. Why was I there? What purpose did it serve?

I sat there for a while and actually managed to get a bit of study done, but that niggling sense of being able to do it at home kept knocking. Then teachers started leaving at the morally reprehensible time of 2:30, and I began to question my sanity.

At the end of each day, I'm supposed to get a stamp on my time sheet from the Vice Principal (Kyoto Sensei). At Elementary School, where I usually finish at 1pm, I can coax permission to leave from the Kyoto by handing them my time sheet for the stamp, which invariably ellicits the salutation "O tsukare sama deshita," which literally means "honorific tired person was" and kind of means "very good day at work, you must be tired, (I'm) go(ing) home". Faced with another couple of hours of enraged thumb twiddling, I readied my paperwork for the walk up to the Kyoto's desk, only to be stopped by one Kamihara sensei, a Social Studies teacher for whom I have tremendous respect, not least of all for his affable charisma, who suggested we go to the gym and practice Kendo. Strike me down with a bamboo sword if I didn't say yes.

Kendo, simply put, involves donning cumbersome and visibility-reducing armour, before bashing your opponent with a big stick and shouting at them. There are three strike points, the head, wrist and body (or rather, right hip). Kamihara sensei is very good.

Kendo might look simple, but precision is the key. Kamihara sensei was really walloping me - I could feel it with the blows he rained down on my head - but I emerged relatively bruise free. The armour is pretty solid, and a direct hit will do little more than ring in your ears. I however have all the precision of a rabid elephant on a motorcycle, as Kamihara sensei's right hip can no doubt testify.

That done, he suggested we have a bout of Aikido which I am genuinely interested in. Quintessentially a self defense martial art, Aikido relies upon using the energy expended by potential attackers back on themselves. Kamihara sensei is also remarkably good at that, flooring me several times during our spat. I returned to the teachers room an hour later, sweaty, bruised and in the highest of spirits...

...until the Kyoto sensei (who can't speak a lick of English) asked an English teacher what I was doing today. That ruffled me a bit because I can actually speak Japanese. Said English teacher didn't ask me, rather she said she didn't know, and we should ask a different English teacher. Bear in mind that I am within spitting distance of these people. Off goes the Kyoto to find this other teacher, whilst I ask the English teacher if there was anything I could help with. She looked me in the eye and shook her head. I held my gaze, and she eventually came clean, not that there was anything to bloody well come clean about - grrr! I hate this country sometimes.

Peculiar day, highs, lows, tears, laughter, civility, lack of and bashing people with sticks. I'm going out with Hayley for her birthday.

If you can't beat 'em...

This article has recently been a point of conversation amongst my fellow ALT's. In the midst of national conerns about bullying, student suicides and a perceived decline of standards, a government appointed panel has urged an end to the lenient approach favoured by schools in Japan.

As the situation stands, no form of punishment is acceptable in Japanese schools, whether it's detention, exclusion or physical violence, although according to ALT's who have worked in more rural areas, this isn't always the case. Stories of students having chalk thrown at them or being dragged through a corridor by the hair have reached me from forgotten sources.

There is a law in Japan, expressly forbiding students from being excluded from class, as they have a fundamental right to be educated. Of course, what looks good on paper rarely stands up to reality. If the student has made up their mind to be as disruptive as possible, then there is literally nothing the teacher can do.

Perhaps there are some who would welcome the chance to hit their students, but this could only create more problems, as some of the most troubled children are probably getting this at home. One of my more volatile students was hospitalised by his father for playing truant. This "protruding nail must be hammered" attitude is all well and good when constructing houses, but human beings are another matter. Unfortuantely, such attitudes don't recognise individual cases because of a historic denial of individuals.

Hayley, me & eighteen kids.

How did that happen? An entire week has gone by without me doing an entry...Christmas is approaching, Hayley and I have done the mother of all clean-up operations, and I have fulfilled a (hitherto secret) life-long ambition.

The Tension of Tests

The English testing system over here is idiotic.

Today, I took a class of Third Year students through the rough equivalent of a dry run of their upcoming tests...although, they do so many a year that it's hard to know how decisive this particular run will be.

The procedure involves a simple greeting and maybe a few appropriately pitched questions. Then I hand them a small piece of text that may have come from a copy of "101 Paths: A Road Map to Good Citizenship". The student then reads this special brand of Japanese English and answers some utterly facile questions about what was written within. This done, the paper is discarded to make way for a couple of completely unrelated and confusing questions, before being returned to for a "what do you think?" section. There are two given answers, a positive and a negative, implied by the text and expected of a well behaved member of society.

Naturally, the students who did well in this little ballet are those I know to be diligent and capable. However, it's not their English prowess that is being stretched. The answers came verbatum from the sheet.

What is being measured here isn't an actual communicative skill; rather, it is the ability to spot hoops and jump through them.

By contrast, not an hour earlier, I had a Second Year class, where the little tykes were preparing for roughly the same thing. Being an academic year below the aforementioned class, you'd expect Second Years to have a lower ability...but surely, what marks competence in a foreign language is having the crutches and scaffolding removed, and actually being able to communicate. I had conversations with these students - we talked about their dreams. They understood questions that, as the textbook dictates, they shouldn't be able to answer.

Maybe the difference in each lesson lies in teaching method...

Culture Day

Just what we need - a three day weekend. This of course doesn't apply to everybody in Japan - take the tireless teachers of the terrible tykes who will the Tennos' of tomorrow. As I staggered outdoors for the first time today, I was greeted by an onrush of my students, jogging dutifully around the school. I however, had only been out of my pyjamas for fifteen minutes.

November the third was originally the birdate of the Emperor Meiji. It also commemorates the adoption of the post WWII constitution. Schools across Japan have been preparing for the event with Culture Festivals and the like...these have the school presenting all the meats of their cultural stew, such as drama, art caligraphy, music and foreign language ability. This last aspect usually involves resident Gaijin Assistants presiding over a competition of English Presentations...and it's sometimes fun, especially when one sees the schools who work out that the way to win these things is to entertain the judges.

My favourite school in the whole of Kawasaki (alas, one that I have lost) presented an English version of an old Japanese folk tale...

An old man accidentaly drops a rice ball down a mouse hole...he then hears celebrating mice, and drops another one...the excitement down below mounts, and the kind old man gives them the last of his lunch. The grateful mice give the old man a box, and tell him to take it home. This he does, and he and his wife open it up, only to discover a large amount of gold. Popular in tales involving a kind old man is the mans neighbour being mean and spiteful. Upon discovering what has happened to the nice old man, this sour character decides to see if he can get a similar result...naturally with dire consequences.

What I really enjoyed about this presentation was that every time the old man dropped some food, a student would appear from behind the wings with a cardboard cut-out rice ball mounted on his arm like a shield. He would then adopt a Mighty Morphin' Power Rangers stance, bellow "Rice Ball Number 1, GO!!' and do a series of somersaults towards the prop representing the mouse hole.

Also of note was a retelling of Urashima Taro, which interestingly enough contains that old story germ about time in "faery-land" running at a different pace from the Earth. In this updated version, when Urashima Taro returns home, he is of course in smelly, noisy and utterly bewildering 21st Century Japan.

More plays would have been fantastic. Unfortunately, there is a tendency in events like this to be presented with monologues. Some of the issues these kids battle their way through are undoubtedly important. The problems come when such speeches are translated directly...

When listing things, such as the contents of a bag, the Japanese would say enpitsu ya megane ya seifu nado, the ya almost acting like commas and the nado meaning "...and so on". Unfortunately, this applies to all lists, and when translated into English, something is lost by this linguistic quirk. The earnest outpourings of these bright-eyed teenagers seem lacking in sincerity when they appeal us to consider the horrors of "...famine, poverty, war and so on."

...and Rock & Roll.

I was twenty-one when I first heard John Zorns’ Naked City project - a super-group of established jazz artists such as Bill Frisell and Fred Frith, with the occasional appearance by Yamatsuka Eye - a shrieking ball of howls, grunts, roars and belches.

“He can’t possibly do that for a living.” I thought, filing Yamatsuka san under “investigate”. Months later, he popped up again on a recording of an improvised gig in Manchester no less, under the truly inspired moniker of MC Hellshit. That did it, and I decided to read up on him.

Imagine my joy when I found out that he fronted a Japanese rock band called Boredoms. Thus, a love affair which continues to this day was born. I started listening to their music just as it changed direction, towards psychedelic trance-rock, but they had a back-catalogue of more abrasive stuff. One reviewer described Boredoms music of this period as “punk rock torn to pieces and then stapled back together again”…sections of improvised noise from Yamatsuka san and the rest of the band (of a similar vocal persuasion) complimented with cartoon rock, which is heavy, obnoxious, definitely not the sort of thing you’d play to your mother or in-laws and laced with a gloriously demented sense of humour.

Joy, thought I. Rapture, even. Here was a whole new world of music to discover. I then began investigating what Japanese music I could. Just as noisy as Boredoms, but a lot tighter musically, are Melt Banana. To call upon another reviewer, Melt Banana are a “steel locomotive going full speed through a brick wall”. It’s excellent cleaning-the-house music, fast, relentless and exhausting.

My stint at the Library had me encountering the delightful peculiarities of Asa Chang & Junray, the likes of whom I’ve never heard before. Asa Chang formerly led the Tokyo Ska Paradise Orchestra, then from what I can gather, took up the tablas and went off to form this group. They combine elements of traditional Indian music with…whatever they can find by the look of it. There’s something Gilliam-esque about Asa Chang and Junray. Each piece is like a weird little machine, sometimes gracefully and beautifully complex, other times slightly comical.

Like a Lovecraftian hero, I discovered the chaotic horrors of Merzbow, who since the 70’s has plowed a deafening furrow in a field occupied by groups such as Throbbing Gristle. Then I found the sublime work of Susumu Yokota. He made his name in the Rave craze of the early nineties, then retreated into the mountains to construct artfully restrained ambient works. He has a prolific output, still releasing an album of DJ fodder every now and then…I heartily recommend anything of his to anyone.

So anyway, with these characters under my belt, I hopped onto a plane to Japan, part of me expecting rather naively that I’d discover a dearth of interesting music…

J-Pop (go here for an article about the history of…) is a term that describes the bulk of pop music made in Japan. Other genres are marked as J-Club, J-Reggae, J-Punk etc…Jazz however is Japanese Jazz (J-Jazz is just silly)…I think the obscene creature that is J-Pop has grown out of Japans insatiable thirst for the rest of the world, and their desire to make it Japanese. It’s like they’ve seen what is considered pop music and imitated it, exaggerating what is to them, its’ most prominent features. Thusly we have very highly produced, glittery, shiny, spangly AUDIO-JOY, or poignant, heart-breaking, desperately earnest POWER-BALLADS. It is hideous. If ever a nation deserved to drown in a lake of cheese…

You can accuse any Pop Music market of being obsessed with the young, fresh faced and new…one group however manage to take that thought to it’s most ridiculous extreme, yet still remain perfectly logical (especially if you're a foaming cynic). Morning Musume was founded in 1997 by producer Tsunku. The group (made up of girls aged from 12-24) exists independently of the members, who have a near constant turn-over, retiring once they're considered too old, or if they’re found to be doing anything inappropriate to the bands image, such as having a relationship. Yes indeed, sex sells.

There’s still fun to be had in the mainstream though. Big in the mid to late nineties were Judy and Mary, truly everything you expect a Japanese Pop/Rock group to sound like - boppy, noisy, stompy, cheerful and unsophisticated yet competent, bringing you songs such as “Cheese Pizza“ wherein the heroine’s icy heart melts like a...yes. Poetry. Their former front-lady, Yuki, has had a successful solo career since then, and I will confess to being partial to her squeaky voice.

Exploding with success just before I arrived were Orange Range, performing a kind of rap, with a kind of heavy rock, with lots of squiggly synth noises. Success over here is equated with having your music associated with products, movies and adverts, which makes sense, as Japan has the second largest music industry in the world, and you’d be hard pressed to hear of any of their famous bands outside of the country.

But, what of Boredoms? What of Susumu Yokota? In all the conversations I’ve had with Japanese people about music, only two of them have heard of Boredoms. Unsurprising really, considering what they are faced with in terms of popular appeal. The upside is that when I happen to play MC Hellshit to my students, I take an impish glee in seeing the looks on their faces when I inform them of his origins…


...my thanks to Wikipedia...

The Holiday, summed up in a huge post, with a large group of pictures and some text.

Well, this one’s a bit late in coming…but I’m still more punctual than Dave…

Always splendid to have guests, especially old friends. Our flat was tested to breaking point, carrying no less than four sweaty, smelly bodies over a fortnight, but to be fair to everyone, summer over here is nonsensical.

Plenty of memorable moments, such as what I thought was the biggest cockroach I have ever seen…which actually turned out to be two cockroaches having sex…which is just as bad.

Those of you who’ve been following this blog for a year or more will be aware that we have a selection of places within the locality that we take people to see…and what could be a better place to start than my most frequently visited spot; Kamakura, where the first Shogun established his capital.


…doesn’t it look lovely? And don’t Sam & Hayley look ladylike?


Pictured is Sam & Dave performing the closing stages of a fortune ritual at Zeniarai-Benten - a shrine built into a very exciting cave which has a small stream running through it. The story goes that if you wash your money in the stream, then dry it with the smoke from one of the massive incense burners they have lying around, then good fortune will come your way…possibly of a financial nature, but I doubt that - I’ve visited Kamakura and done all that six or seven times since I’ve been here, and I am still hilariously skint.

Another favorite shrine is Sasuke Inari, Inari being the rice God, having a fox as a messenger. Unfortunately, the nature of the shrine (up a hill, surrounded by trees, mostly dark green, not much space) makes it a bugger to photograph, which is a shame, but I doubt many photos could adequately portray the atmosphere up there…so instead, here’s a picture of a stone fox with something in its’ mouth (probably a rice-ball).


Even the brief tour of Kamakura that we offer is a full day out, and it’s not even scratching the surface of all the various Temples & the like…and the giant Buddha…I left everybody at that point in order to be on hand at the flat to receive Daves luggage, lost somewhere in Europe…fortunate for me that I did, for on the pilgrimage to the Big Buddha, Hayley, Sam and Dave fell foul of treacherous paths rendered muddy by recent rain, and ravenous mosquitoes, which, as if I had to point out, really suck.

Home for a quick, cheap, and above all, tasty (as it’s cooked by me) lunch…


…and then off to my favorite place in the whole of Tokyo…


Asakusa! Yes, even more pictures of Sensoji!


There’s Hayley tying a Temple Fortune (O-Mikuji) onto something that the priests will notice…don’t know what it’s called, but that’s a charm which seems to work - she drew the Highest Possible Good Fortune from a random drawer of seventy-odd, and is now on her way to getting a full working visa - woo-hoo!

…and Dave bought a silly hat…we all got drunk and tried it on…





Unfortunately, Hayley was momentarily sucked into her job, so Dave, Sam & I went off to the Nihon Minka En - a museum of old Japanese houses from a variety of periods.



Then, off to Nikko, where I took almost exactly the same pictures as last time.




Sam described Nikko as one of the most amazing places she’s ever seen. Result. It’s an exhausting day out, so the next day was something of a write-off…but we did manage to go to Shinjuku…


…and squeeze in a bit of karaoke, accompanied as we were by the dulcet tones of Brian…


…and Dave - look at him - he loves it!


Such is the insidious pull of this national past-time. When Matt came last year, we went to Kyoto, the cultural heart of Japan. We saw a Temple covered in Gold. We ate a Japanese banquet on tatami boards over a river. We climbed a mountain and had an onsen at the top. We fed monkeys by hand on top of another mountain…but his favorite bit was the karaoke…certainly, after hearing his rendition of “Don’t stop me now”, it’s probably also mine…

Quick trip to Harajuku in order to see some cosplay; alas, a quiet day for one of Tokyos most notorious sights…but as compensation, following a tip from our benevolent landlord, we hot-footed it over to Roppongi, for the Bonodori dance, featuring that stalwart of childrens TV, Doraemon...


…complete with a special Doraemon dance for the kids…let me assure you, it was disgustingly cute.

And finally, away to the dizzying heights of the Tokyo Metropolitan Government building, thus…



Lordy Lord that was fun…and another visit is wrapped up in a spectacular manner…cheers for coming Sam & Dave - utterly spiffing to see you…next up, my sister, who has just started a blog of her own. Go and taste her brain.

最期ですね。

When I first arrived at Kyomachi Junior High, I had only been in Japan for ten days. Needless to say, with it also being my first day in a teaching job, I was utterly terrified.

Since then, I`ve been to several schools, worked with many teachers and met literally thousands of students, but I`ve always had a soft spot for those at Kyomachi, my first base school.

Being, from the point of view of the school, essentially a part time teacher, I`m more susceptible to this risk than those who don`t change location every week. The Japanese education system likes to move people around. After a certain tenure at one school, teachers may be given orders to transfer to another. Yesterday saw a shake-up in the schedules of the Kawasaki ALTs. I`ve lost Kyomachi, and my other favorite, Kawaski Junior High.

...and I`m aware that this post has tremendous whinge potential. As you can probably tell, I`m not happy. I`m going to miss this place. Thanks to this school, I`ve been drunk at ten in the morning, carting a bloody great portable shrine around the area in which I live. But that`s not saying anything really. Maybe all teachers feel like this once they`re separated from their charges, but these kids are amazing - charismatic, capable, friendly, hilarious...I could go on...

The good news is that Kyomachi is but a (powerful) gnats fart away from my humble abode, and running into the students whilst doing laundry or shopping is not at all uncommon.

So, from September, I`ll be getting two new schools - Miyuki, by all accounts, a wonderful place, and Minami Daishi, by all accounts, hell on earth. We`ll see what those bring later...

Apologies for the bleak tone this week. Even the title, "saigo desu ne?" means "it`s the end, isn`t it?" Fatalistic, but that`s Japan.

Things are different...

WARNING; contains high levels of Petulance, Fury and Arsey-ness.
Reading material of this nature harms your unborn baby.

Culture shock can be a misleading term, conjuring up images of the lone traveller, seeing a country for the first time & being whisked away on a magical rollercoaster of new sights, sounds and smells. Whilst this is certainly true on some days, the reality of the experience lingers more. The leering face of differing notions of perceived common sense takes the time every now and then to pop up and say "boo".

Though I`m scarcely a lifer, after a year and a bit over here (language aside) I thought I`d done a fairly good job of adapting, but there are still things that ruffle me spectacularly. Case in point, the Japanese Post Office, home of my yen account.

Even in English, I have a hard time with the nature of bureaucrats. None however are quite so particular as the Japanese.

In order to keep my bank happy, I need to send some money back to the UK every month. Due to my nature as an immigrant (I`m tolerated because of my usefulness), this transaction needs to be done in person with all the requisite forms, ID, et al. Sounds OK - even though I work at several locations in a month, there are Post Office branches everywhere...

...but no...

...only specific branches deal with International Money Transfers. Sounds OK - some of my schools are reasonably close to Kawasaki Centre. I can pop in after work...

...but no...

...even though the Central PO closes at five, the actual desk I need shuts up shop at four...half an hour before I do.

So today I did the unthinkable. Faced with an afternoon of no classes, wherein I am free to do as I please, as long as I stay in school, I asked if I could take some time just to nip into town and sort out this very important bit of paperwork. This is a truly cavalier defiance of my illustrious employers` "don`t-ask" policy and Japans` national pathology. I was reluctantly given permission.

Off I trundled to the Central PO, already in a Great British huff, as there`s a branch not two minutes away from this particular school, that couldn`t help me for reasons of procedure. I should have known better than to assume that all I had to do was hand over the already completed form & let the assistant carry out whatever jiggery-pokery she needed.

The first problem she encountered was that the name of the payee was the same as that of the payor. This always foxes them, so I was prepared, informing her that it was my account in England. The second problem was a bit more infuriating.

In Japan, ones` surname comes before ones' given name, hence my ID card having me as Kearton Christopher. I made the colossal mistake of writing my name in the Western order. She didn`t like that, and proceeded to draw a series of arrows on the form.

Then there`s the frankly absurd amount of names I have. I deliberately left out "Louis" on all my applications to get into the country. I didn`t leave out "Patrick".
On the money transfer form, I left out "Patrick".
My ID card says "Patrick".
She asked me to write "Patrick".
I wrote "Patrick".

I wish I knew the Japanese word for "flexible".

The last problem was partially my fault, as my language ability is still very basic. When the time came for the closing stages of the application, it transpired that I had to give her the money in cash, even though I`ve done this procedure several times now & this is the first time I`ve had to do that. When I think about it, she might have asked me if I had the money now. Understanding only part of that question, I answered yes...so off I go to the corner of the room to draw out the money, walk all of a yard back and hand it to her...but this is the sting...

...it turns out that there are two kinds of form for this process - one that requires cash, and one that allows you to transfer money directly from one account to another...the latter is the form that I handed to her in the first place.

Why did she ask me about cash? Why? Why? Why?

There aren`t enough curses in the lexicon of profanity to adequately express my bile.


Lighter news - a couple of third year girls, fresh from a school trip to Kyoto, brought me back a fan depicting Kinkakuji...oh Japan, I can`t stay angry with you...

Taikusai

Last weekend was to have been a sports day extravaganza, but the elements didn't agree. This led to a long series of re-scheduling plans, ending in a mid-week sports fest and two teaching-free days for myself. Hurrah indeed.

I only saw the afternoon events, starting with Shougaibutsu, a comedy relay race, reminiscent of It's a Knockout or Takeshi's Castle. Being the resident English monkey, I was asked to start the race in English. I was accompanied by one of the teachers acting as a translator, "on your marks, get set..." being incomprehensible to the sensitive Japanese ear. I feel that my companion was a bit superfluous, as I was provided with a starting pistol, which strikes me as a pretty universal signal to run.

Anyway, the Shougaibutsu was a riot. Each runner had their own obstacle; bursting balloons by sitting on them, crawling through a net, carrying a ball with a partner (back to back), balancing a tennis ball on a paddle, finding an unspecified object in a bucket of flour (using ones face) and completeing the last leg after spinning ten times around a baseball bat. This veritable ballet unfolded to a "comedy" ska soundtrack, blaring through a sizeable speaker system & reminding me that Japan has nothing in the way of noise pollution laws.

Other notable races included the Mukade, or centipede race, where a line of five students with their ankles tied together march up to two more lines, creating the titular insect, with hilarious results. Then there was the Kibasen, the "horse war". Basically three students form a human horse, whilst another stands on their hands & shoulders, and tries to knock over their opponent (on another human horse) - it's insanely exciting, and is only made more so by the chanting, clapping and frenzied Taiko banging. A teacher that I don't have the best relationship with remarked "Igirisu ja nai, ne?" (you don't have this in England, do you?) "Made in Japan". This comment awoke my inner arse, as I silently fumed "I bet that it's from China, or Mongolia or anywhere in Asia other than Japan, you arrogant little *@#^!" (can you spot a certain beligerence in this weeks entry?) All I've been able to find out so far is that the game may have its roots in Hindu mythology...watch this space...

Maybe the most Japanese thing I saw that day was the eight-hundred metres. One girl in particular was weeping openly and limping in an unsettling fashion before she started. She spoke to her teacher, who merely patted her on the back with a hearty "Gambatte! (keep your spirits up) before plonking her onto the front line. She looked frankly terrified before she started running, and she didn't stop crying. The pistol went off, as did the students. Naturally, she lagged behind, and I watched in horror, thinking "why the hell is she running on that leg?". As the race finished, some students collapsed in tears and exhaustion. The girl I had noticed at the start finished last, but now she wasn't crying. She ran the entire race. I was in absolute awe, but slightly disturbed and confused at the same time. Was it better to have been pushed into finishing a race (through peer pressure or old fashioned authority) with a wonky leg, or to rest and not run? Chariots of Fire has never seemed so appropriate as it did then.

So anyway, this weekend, we've been graced with not one, but three festivals...

...the Design Festa








Those gentlemen were very heavy indeed.


...Oda Matsuri...






...and the legendary Sanja Matsuri...






...and I still have no idea what it's about.